when this is two months of gratitude

There are long days. The days where you wake up full of your own self, your own thoughts, your own worries - and there is the other person, the one whom you love, awaiting you.And you brush your teeth and think about what clothes to wear and what work needs to be done that day, and you think you'll fall behind if you don't spend every ounce of yourself in your new work, in school, in all the big bold things God brought you here to do.And you'll eat your yogurt and say something you don't even think twice about, which is the problem, of course, that you didn't even think about it, and then you are caught, not just by this person whom you love - no, you are caught too by that description of Jesus from Philippians 2 -

"In your relationships with one another, have the same mindset as Christ Jesus:Who, though he was in the form of God,did not regard equality with Godas something to be exploited;but emptied himselftaking the form of a slave,being born in human likeness.And being found in human form,he humbled himselfand became obedient to the point of death -even death on a cross."

And it goes on, this kenotic hymn of such clarifying, terrifying beauty, you know that moment you hear something you keep wishing you wouldn't hear?  Therefore, my dear friends, as you have always obeyed - not only in my presence, but now much more in my absence - continue to work out your salvation with fear and trembling, for it is God who works in you to will and to act in order to fulfill his good purpose." (Philippians 2.4-8 above, then 12-13)Most of the time, my husband goes first in the self-emptying.I am grateful that marriage is a self-emptying work. One that I fail at, more often than I can accurately describe. Because the work isn't a trick of convention or a sudden blaze of glory. It is smallness made holy, an unbecoming of so much of what we grow accustomed to being - caught in our own worlds, however beautiful they are, however good, however purposeful. We grow used to our largeness, the hero-of-our-own-life-ness, the safety of being wrapped up in ourselves.And then we are charged to work out our salvation, to self-empty, to loosen our grasp of the secure circular thoughts and to love one another. To love another.My husband so often goes first. So often, he asks the first question, calls out for me, insists on knowing what's behind the sigh or the half smile or the look-away or the hopeful side glance. And in the long days, when even your two-months-of-gratitude post is late, that calling out is an aching kind of love.I don't know if gratitude can truly capture it, how it makes me see him, see myself, how often I forget that we live and move in tandem with each other, how it is such work, such hard, gratifying, knees in the dirt work, to love each other.He reminds me to cherish the work that is love.The longest days, when it takes self-emptying, you sense that you are at the very beginning of the work. You eat your yogurt and you hear God tell you again -This work of love is the coming alive of you.To have this mindset, as was in Christ Jesus,to empty, to become small again, to rememberthe terrifying and beautiful fear and trembling,and God, who works in us.Love,hilary 

last night, I almost quit

You wouldn't believe it, would you? That it should sound so easy, to leave words behind?To give them up.To give, them, up? How could I? Haven't words always been my bones, my bricks, my feathers and wings and roots? Haven't they been the way I learn and forget and learn again? Hasn't it always been writing, mine the quick answer to Rilke's lingering question - whether I must write, else die. Haven't I always said yes? But I almost quit last night.I imagined myself cutting loose the threads that moor me to a space in a corner of the world so much wider than I understand, or fathom; I imagined how it might be, to put away documents in folders, occupy my mind with the already-told stories, the things that are unique and breathtaking and here, in front of us.I imagined silence replacing comment counting. I imagined tucking up my words like quilts in attic boxes. I imagined no more bending and breaking beneath the words and their silence and their speaking.No stories that begin and end in the unfinished places, no more hitting "publish" on a post you're never quite sure resounds the way you  thought it would.No more desperate cherishing of lithe or luminescence or blessing, of caress and carries, of child for the way their sound looks as it finds an ear, the way they build up meaning, the way they are.It’s not the writing of it, it’s the reeling of the writing. It's what I think I could write, if only. But, yet, then, I plaster together words with commas and prayers and they flutter groundward, and there still isn't a good answer, or maybe any answer.I’m bravest and most afraid here.I imagined quitting to fold up inside a safer version of myself; I saw my years stretching out before me, word-less. I pressed my hands to my face, and thought I could see me, not undone by a poem or the way I cannot hear a character speak, not worried over the choice of light and illumine.Brave and afraid, I write still.Brave and afraid, I publish a post where I talk about the almost-quitting, the question of why someone would try this work of penning  glory into syllables and vowels.Brave, and afraid.Love,hilary

dear hilary: this is called delight

Dear Hilary,So I'm reading the chapter "Artists, Mystics, and Clowns" in Brennan Manning's Ruthless Trust and wondering: why do we act the way that we do, and how does this reflect God? What's so great about efficiency? Gravitas? Breast-beating? Sobriety? Somewhere along the line I leaned that these were more holy than extravagance, art, and levity. Somewhere alone the line I learned I must stifle effulgent passions, had no time for interruptions, mustn't laugh when there's so much suffering in the world and so much work to be done, must put away childish playfulness. Somewhere along the line I learned that God is begrudging and exasperated. What is God's disposition, anyways?Sincerely,Can't-Lighten-Up Dear Can't-Lighten-Up,In my high school, French was the only foreign language offered. We learned it playing "Tour du Monde" with vocabulary, drawing pictures of "fromage" and "papillon" for each other on the chalkboards in the House, wandering the streets of Angers and Paris and Aix ordering our first café au lait and pain au chocolat in giddy tones. I remember vividly one day after we had gotten out of class, I walked around the corner with my friend and we ducked our heads inside a patisserie, and we ordered in a rush two "religeuses." The woman behind the counter didn't look at my ratty hair in its pigtail braids and my very American purple winter coat (a hand-me-down from my sister, I think) and make a noise that meant, "American." She simply smiled and put the pastry in a small bag with a piece of tissue paper. "Bonne soirée" she called out after us. And I felt the rush of what the French call "joie" - joy.I was a junior the year that we sang Gabriel Fauré's "Cantique de Jean Racine." We used to rehearse the song in its delicate French in a crowded room with uneven and overly polished floorboards. I sat in a grey folding chair, tucked my feet under me, pushed that still-ratty hair behind my ears with my fingernails coated with blue sparkle. The song hushes in its final line to this - "Et de tes dons qu'il retourne comblé." And may our praises return filled with Your gifts. It isn't the exact translation - I'm not even sure I could translate it well, if I'm honest - but the last, hushed line, has the word, "comblé" which, whether or not I understood the line right, is a French word for "overjoyed." The verb "combler" is about filling, being filled.I tell you these stories because you are asking something about who God is, and what His attitude is about us. And I learned this from singing "Cantique de Jean Racine," from the woman in the patisserie by the Lycée David d'Angers, from my years of unkempt hair and hand-me-down winter coats: God is delighted.Delighted, overjoyed - we so often mistake those words for happy, or, more honestly, for naively cheerful or optimistic. We think that if we name those adjectives, we're making it sound like we (or God or both) aren't taking hurt seriously. That we have missed suffering. That we have lost sight of the ache of the world and are applying a pink band-aid to the gaping wounds.But it is the work of delight and joy to come close to suffering, even closer than the so-called serious realism. It is through joy, not cynicism, that we approach the unspeakably difficult.Because joy and delight are not happy feelings: they are the choices to let love win. They are the choice to trust love triumphant. Joy is a choice to believe God when He calls what He has made very good, and a choice to draw near to that very good world in its ache and terror and sadness.If you do not practice laughter, you cannot know this joy. If you do not practice the playfulness, the levity, the extravagant gestures without reason, the shrieks of hide-and-seek games, you cannot walk with us to the places where love is most needed and most difficult.God is overjoyed with us. God is delighted. Because He is these things, because He is delighted in my moment in the patisserie, eating something truly good and laughing with my friend, and wishing the woman kneading bread a "bonne soirée" - He can enact such an extravagant and mysterious story of love triumphant. Because God is delighted, because His delight is not some blithe or silly perpetual good mood, but the serious weight of everlasting love, He is able to save us.This is the story we are going to tell the world. The story of love triumphant over darkness. The story of joy and reuniting, of harmony and whole, of laughter and extravagance. But to tell it, and to tell it in the places most needed, we must practice those things in ourselves.So, dear one, this is the work of delight. It will take everything you've got, to live the blurred lines between sorrow and weeping and joy and splitting your sides laughing. It will take your whole self and a self transformed to banish the categories we've so carefully constructed around what counts as "serious" and what counts as "light," to sing while we cry and rage while we laugh.But I think it can be done. I think it must be done. So that, in the mystery of love triumphant, we can sing:Répands sur nous le feu de ta grâce puissante;Que tout l'enfer fuie au son de ta voix;Pour on us the fire of your powerful grace, O Lord,That all hell flees at the sound of Your voice.Love,hilary

dear hilary: no small work

Dear Hilary,There is a saying, "there are no small parts, only small actors." I think it's meant to tell us that we are all important, somehow, that our one line in a play is not less meaningful than the monologues, our place at the back of the corps de ballet is not unimportant, even if we might never be cast as the lead in Tchaikovsky. But Hilary, is that true everywhere? How can it? Aren't we supposed to want the work to be meaningful? Aren't we supposed to seek positions of influence and do good in them? Aren't there small jobs? And small work?Love,My work feels smallDear My work feels small,My answer is a resounding and beautiful and emphatic no. There is no small work. There is no small work in a world where something as simple and apparently stupid as being the person on the bus who always asks their seat neighbor how they are can change everything. There is no small work in a world where the right sentence in an email, the right amount of foam on a latte, the best swept ballroom or the newspaper print copy edited for the fiftieth time can be an expression of love.And it can always be that.The phrase about small parts and small actors leaves out the truth about small actors. They are not small because they wished for a bigger part - they are small because they didn't imagine how they might love and live wild in their small part. It isn't selfishness, I think, to want and long for meaningful work. It isn't selfishness to fall into the trap that tells us that meaning is attached to power. There is a lot of good we can do when our voices can speak speeches and our hands touch many people and our platforms have followers galore. There is a lot of good, a lot of beautiful, we can do when we can bend the ears and minds of those around us.But we will only do that good if we build, bird by bird, moment by moment, latte and copy edited letter and email and photocopy, a heart that's widened with an imagination for love.We have to build up a heart for love. And then we have to love.Do that, and there will be no small work.There will be days when the work feels small. When you wonder how any of it can be about love, or about influence, or about the big ideas we once had about changing the world. There will be days when the purpose of vacuuming eludes you. When the tenth meeting about the color of the balloons runs you ragged. When answering the phone feels as important as counting specks on the wallpaper. When you cannot think about babysitting for one more second before you think, I have no idea what this accomplishes in the world... I cannot promise you, my sweet friend, that we will always trust that our work matters. We probably won't. But if we do it even then? If we dare to tell ourselves in those moments that even this work (maybe especially this work), is always about the depth and quality of our love, the tenor and passion of our one-liner in the great play? If we dare to imagine ourselves away from the simple chasing after power?Oh, then, I think we will change the world.One latte, one photocopy. One smile, one remembered favorite coffee flavor for a coworker. One promise, one extra twenty minutes of laughter and compassion behind closed office doors, one email at a time.Because there is no small work in a world this hungry for love. I dare us to love it that much together.Love,hilary