dear hilary: gather the threads

Dear Hilary,All I ever see is the clock ticking. Time is always running out. There's never enough time to do it all. When this season ends, a new one will begin but what about when that one comes to an end? Why do all good and beautiful things come to an end? I'm so scared on missing out on things and losing those who are precious to me.Hilary, how do I live alive in the moment when all I can think about is how quickly the end is approaching? How do I deal with the clock that keeps ticking, and a heart that desires to live so fully, experience so much, and spend time with so many people? My heart feels ready to explode.Love,About-to-GraduateDear About to Graduate,Why do all good and beautiful things come to an end? I feel you on the edge of your seat with this question, maybe tapping a pencil on your desk, wondering, worried that the answer might be something trite like, "because that's the way things go," or "that's life," or even, "it will all be okay." I want to steer clear of those words, not because they are untrue (actually, I think they're terribly true), but because sometimes it helps to hear it sounding in different words. I want to tell you a story.I was sitting in a kayak in the middle of a French river. My friend and I were in floppy sunhats, my skin already a solid pink, our arm muscles so tired we couldn't even admit to ourselves that we didn't really know how to "feather" or "J-stroke" back to the group. It was early afternoon, just after lunch, and the group was eagerly paddling ahead while we floundered. It was summer, and in the south of France there is a sweetness to the air itself, a dull humming from all the things coming alive: lavender and bees and olives. We were in search of the Pont du Gard somewhere down the river, further into the afternoon. We were in search of ourselves, as soon-to-be seniors, in search of love at 17, in search of everything. I can almost taste that day, our laughter pealing out over the water to annoy a stray duck and a solo Frenchman, convinced that we had arrived at the beginning and this was, and must be, a kind of forever. We floated under the ancient Roman aqueduct singing a madrigal we had learned four years before - "All Ye Who Music," All ye who music love, and would its pleasures prove, O come to us, who cease not daily to warble gaily...As the days in France, and later that summer, meandered by me, I began to panic. It was senior year, I whispered, the end of high school. The end of the daily relationships, the walks to and from the Barn, the end of singing "Wade in the Water" and "I'll Fly Away" in voice lessons, the end of whispers and note passing and French. I stayed busy so I wouldn't see the end coming. I convinced myself it would be fine. Or that I wouldn't miss things. Or that time wasn't really moving at all.But, dear heart, time was moving. And I moved with it. And you, where you are, have moved with it too. We cannot hide in our feathers or in our schedules. We cannot convince ourselves that absence is a word without meaning or the life, so rich in front of us, is not going to change. We are not given permission to do that.I want to tell you that my story in France, which I type as if I am still in the kayak in the south of France, it was six years ago. All of its richness has entered the wider tapestry of my story and now, when I plucked the thread to show you, it brings with it a thousand others. Stories I didn't know about until four years ago, one year ago, Sunday afternoon. It's bound to the things that haven't happened yet in my life - just as your threads from high school, the people you love, the things you love, all that feels most alive in you - they are bound to your future. I promise you do not lose the things you love, and the good and beautiful things that go through the first ending now have a life beyond it.Gather the threads, sweet pea. Run your fingers through these stories of high school, of deep friendship, of strange awkward school dances and movies you didn't need to spend the money to see in theaters and essays and languages and family summers. Hold them in your hands, feel their weight and length. Write them down, or tell them on the phone late at night. Or relive them with your dearest friends.They have a life beyond this first ending.They live among the thousand threads of your one beautiful story.Love,hilary

dear hilary: this is called delight

Dear Hilary,So I'm reading the chapter "Artists, Mystics, and Clowns" in Brennan Manning's Ruthless Trust and wondering: why do we act the way that we do, and how does this reflect God? What's so great about efficiency? Gravitas? Breast-beating? Sobriety? Somewhere along the line I leaned that these were more holy than extravagance, art, and levity. Somewhere alone the line I learned I must stifle effulgent passions, had no time for interruptions, mustn't laugh when there's so much suffering in the world and so much work to be done, must put away childish playfulness. Somewhere along the line I learned that God is begrudging and exasperated. What is God's disposition, anyways?Sincerely,Can't-Lighten-Up Dear Can't-Lighten-Up,In my high school, French was the only foreign language offered. We learned it playing "Tour du Monde" with vocabulary, drawing pictures of "fromage" and "papillon" for each other on the chalkboards in the House, wandering the streets of Angers and Paris and Aix ordering our first café au lait and pain au chocolat in giddy tones. I remember vividly one day after we had gotten out of class, I walked around the corner with my friend and we ducked our heads inside a patisserie, and we ordered in a rush two "religeuses." The woman behind the counter didn't look at my ratty hair in its pigtail braids and my very American purple winter coat (a hand-me-down from my sister, I think) and make a noise that meant, "American." She simply smiled and put the pastry in a small bag with a piece of tissue paper. "Bonne soirée" she called out after us. And I felt the rush of what the French call "joie" - joy.I was a junior the year that we sang Gabriel Fauré's "Cantique de Jean Racine." We used to rehearse the song in its delicate French in a crowded room with uneven and overly polished floorboards. I sat in a grey folding chair, tucked my feet under me, pushed that still-ratty hair behind my ears with my fingernails coated with blue sparkle. The song hushes in its final line to this - "Et de tes dons qu'il retourne comblé." And may our praises return filled with Your gifts. It isn't the exact translation - I'm not even sure I could translate it well, if I'm honest - but the last, hushed line, has the word, "comblé" which, whether or not I understood the line right, is a French word for "overjoyed." The verb "combler" is about filling, being filled.I tell you these stories because you are asking something about who God is, and what His attitude is about us. And I learned this from singing "Cantique de Jean Racine," from the woman in the patisserie by the Lycée David d'Angers, from my years of unkempt hair and hand-me-down winter coats: God is delighted.Delighted, overjoyed - we so often mistake those words for happy, or, more honestly, for naively cheerful or optimistic. We think that if we name those adjectives, we're making it sound like we (or God or both) aren't taking hurt seriously. That we have missed suffering. That we have lost sight of the ache of the world and are applying a pink band-aid to the gaping wounds.But it is the work of delight and joy to come close to suffering, even closer than the so-called serious realism. It is through joy, not cynicism, that we approach the unspeakably difficult.Because joy and delight are not happy feelings: they are the choices to let love win. They are the choice to trust love triumphant. Joy is a choice to believe God when He calls what He has made very good, and a choice to draw near to that very good world in its ache and terror and sadness.If you do not practice laughter, you cannot know this joy. If you do not practice the playfulness, the levity, the extravagant gestures without reason, the shrieks of hide-and-seek games, you cannot walk with us to the places where love is most needed and most difficult.God is overjoyed with us. God is delighted. Because He is these things, because He is delighted in my moment in the patisserie, eating something truly good and laughing with my friend, and wishing the woman kneading bread a "bonne soirée" - He can enact such an extravagant and mysterious story of love triumphant. Because God is delighted, because His delight is not some blithe or silly perpetual good mood, but the serious weight of everlasting love, He is able to save us.This is the story we are going to tell the world. The story of love triumphant over darkness. The story of joy and reuniting, of harmony and whole, of laughter and extravagance. But to tell it, and to tell it in the places most needed, we must practice those things in ourselves.So, dear one, this is the work of delight. It will take everything you've got, to live the blurred lines between sorrow and weeping and joy and splitting your sides laughing. It will take your whole self and a self transformed to banish the categories we've so carefully constructed around what counts as "serious" and what counts as "light," to sing while we cry and rage while we laugh.But I think it can be done. I think it must be done. So that, in the mystery of love triumphant, we can sing:Répands sur nous le feu de ta grâce puissante;Que tout l'enfer fuie au son de ta voix;Pour on us the fire of your powerful grace, O Lord,That all hell flees at the sound of Your voice.Love,hilary