dear hilary: this is called delight

Dear Hilary,So I'm reading the chapter "Artists, Mystics, and Clowns" in Brennan Manning's Ruthless Trust and wondering: why do we act the way that we do, and how does this reflect God? What's so great about efficiency? Gravitas? Breast-beating? Sobriety? Somewhere along the line I leaned that these were more holy than extravagance, art, and levity. Somewhere alone the line I learned I must stifle effulgent passions, had no time for interruptions, mustn't laugh when there's so much suffering in the world and so much work to be done, must put away childish playfulness. Somewhere along the line I learned that God is begrudging and exasperated. What is God's disposition, anyways?Sincerely,Can't-Lighten-Up Dear Can't-Lighten-Up,In my high school, French was the only foreign language offered. We learned it playing "Tour du Monde" with vocabulary, drawing pictures of "fromage" and "papillon" for each other on the chalkboards in the House, wandering the streets of Angers and Paris and Aix ordering our first café au lait and pain au chocolat in giddy tones. I remember vividly one day after we had gotten out of class, I walked around the corner with my friend and we ducked our heads inside a patisserie, and we ordered in a rush two "religeuses." The woman behind the counter didn't look at my ratty hair in its pigtail braids and my very American purple winter coat (a hand-me-down from my sister, I think) and make a noise that meant, "American." She simply smiled and put the pastry in a small bag with a piece of tissue paper. "Bonne soirée" she called out after us. And I felt the rush of what the French call "joie" - joy.I was a junior the year that we sang Gabriel Fauré's "Cantique de Jean Racine." We used to rehearse the song in its delicate French in a crowded room with uneven and overly polished floorboards. I sat in a grey folding chair, tucked my feet under me, pushed that still-ratty hair behind my ears with my fingernails coated with blue sparkle. The song hushes in its final line to this - "Et de tes dons qu'il retourne comblé." And may our praises return filled with Your gifts. It isn't the exact translation - I'm not even sure I could translate it well, if I'm honest - but the last, hushed line, has the word, "comblé" which, whether or not I understood the line right, is a French word for "overjoyed." The verb "combler" is about filling, being filled.I tell you these stories because you are asking something about who God is, and what His attitude is about us. And I learned this from singing "Cantique de Jean Racine," from the woman in the patisserie by the Lycée David d'Angers, from my years of unkempt hair and hand-me-down winter coats: God is delighted.Delighted, overjoyed - we so often mistake those words for happy, or, more honestly, for naively cheerful or optimistic. We think that if we name those adjectives, we're making it sound like we (or God or both) aren't taking hurt seriously. That we have missed suffering. That we have lost sight of the ache of the world and are applying a pink band-aid to the gaping wounds.But it is the work of delight and joy to come close to suffering, even closer than the so-called serious realism. It is through joy, not cynicism, that we approach the unspeakably difficult.Because joy and delight are not happy feelings: they are the choices to let love win. They are the choice to trust love triumphant. Joy is a choice to believe God when He calls what He has made very good, and a choice to draw near to that very good world in its ache and terror and sadness.If you do not practice laughter, you cannot know this joy. If you do not practice the playfulness, the levity, the extravagant gestures without reason, the shrieks of hide-and-seek games, you cannot walk with us to the places where love is most needed and most difficult.God is overjoyed with us. God is delighted. Because He is these things, because He is delighted in my moment in the patisserie, eating something truly good and laughing with my friend, and wishing the woman kneading bread a "bonne soirée" - He can enact such an extravagant and mysterious story of love triumphant. Because God is delighted, because His delight is not some blithe or silly perpetual good mood, but the serious weight of everlasting love, He is able to save us.This is the story we are going to tell the world. The story of love triumphant over darkness. The story of joy and reuniting, of harmony and whole, of laughter and extravagance. But to tell it, and to tell it in the places most needed, we must practice those things in ourselves.So, dear one, this is the work of delight. It will take everything you've got, to live the blurred lines between sorrow and weeping and joy and splitting your sides laughing. It will take your whole self and a self transformed to banish the categories we've so carefully constructed around what counts as "serious" and what counts as "light," to sing while we cry and rage while we laugh.But I think it can be done. I think it must be done. So that, in the mystery of love triumphant, we can sing:Répands sur nous le feu de ta grâce puissante;Que tout l'enfer fuie au son de ta voix;Pour on us the fire of your powerful grace, O Lord,That all hell flees at the sound of Your voice.Love,hilary

burst with joy

I got a phone call yesterday - a rush of California wind in the background, a rush of shouting and laughter and I caught a few tears, too.They told me in hurried voices that they were engaged, that on Saturday something marvelous and beautiful had just come true and they couldn't hardly believe it, but it was real, and they loved each other and couldn't wait to celebrate and could I mark off space in the calendar for a big celebration soon? And in a rush of California wind blown through my grey New England heart, I heard real joy.It sounds like two people who have set out on a long road holding hands against the challenge and leaning into the blessing.It sounds like her red dress in the vineyard, his hand fingering the ring in his pocket. It sounds like their smiles, saved only for each other, saved only for this day.It sounds like the way that I know they'll carry each other, through long mornings and church services and drives with coffee in travel mugs, in being apart only to be drawn closer together, in the best kind of yearning and yielding, independence and oneness. It sounds like the way that she and I drove along the highway back once from dinner with a friend, and the headlights trickled past us as we went north, and I told her that they have it. Whatever it was, and is, and will become.So these people whom I love are engaged, and in their hurried phone call on Sunday, they offered an invitation: to be part of their joy. To burst with it just as they are bursting with it. To make my own heart glad for the Saturday afternoon in the vineyard and the word "yes" and the question that preceded it.And even though I don't always know how, I want to burst with joy for them. Even though their story meets mine in a different in-between, in the midst of my own questions and worries and late-night lying in bed awake so confused that I just put a song on my iPhone and play it through the tiny speakers to the ceiling?Even though I don't know a thousand things about love?I still want to burst with their joy. The Kingdom is built on our hearts being grateful for all the blessing we hear rushing past us, no matter when or how or to whom. The Kingdom is built on bursting with joy because two people are going to become one.Jesus said, Remain in my loveJesus said, Love one another as I have loved you. As branches of the same Vine, we remain in His love. And with His love, we burst with joy.Because two will soon become one, because love is brave and persists and says yes, because blessings come on Saturday afternoons in vineyards, because there is nothing for it but to smile and screech with joy that this good thing has come to be.Love,hilary

dear hilary: on extraordinary gifts

Dear Hilary,How do you give gifts to people for Christmas, gifts that mean something, gifts that are treasures, and not just one more shiny wrapping paper token?Love,Confused by AdvertisingDear Confused by Advertising,This is what I imagine giving.I imagine wrapping up your red truck. I give it to you shyly, keys already in your pocket, Dunkin' Donuts cups in the cupholders waiting for us. I give it and we drive, miles on the tires and country on the radio, and some days it's quiet in our hearts and some days it's loud. But you make me this home, brother. You make me this space in your life, this space of welcome even in the late summer evenings and the long thunderstorms. So I give you the breakfasts at the Depot and the kids flying into your arms on your way back from Communion, your steady hug after once again, I've hurt my heart in longing and disappointment. I give you the forever love of a big sister who's in awe of you.I imagine holding out a cup of tea to you, no wrapping paper. We are only at the beginning of knowing each other, and it's only been a little while since we first sat in Starbucks and laughed about boys and swapped stories about our journeys at Gordon and our hopes for the future. But I give you this cup of tea, this promise, because even at the beginning of this friendship I can feel your care radiating out from you. I give you this cup of tea (and maybe a truffle, too) - with a small smile, knowing that we have so much to look forward to. Knowing that the beginning of the story of knowing you is more beautiful and more worthwhile than I could have dreamed.I imagine giving you a framed picture of us on your wedding day. It wasn't very long ago, you know, but that day, I remember giving a toast from a napkin hidden in my pocket and falling down the stairs and all the while I was overwhelmed  by the joy of watching you make those big promises. I want to tell you with this gift that we're always and forever family, and I will love you fierce through these new seasons and this new world that we've stepped into. I will tell you as I give you the gift, that no matter what, when I think about our room and NCIS and baking cookies and not finishing my books because you want to paint our nails, that I will rejoice. Because you are rare. Because the love of sisters is rare.I imagine I would give you a plane ticket to Michigan. It doesn't have a date on it, just the destination, but I'd hand it to you as part of a promise, that distance stretches us and grows us. I would give it to you with the long afternoons that stretch into evenings of macaroni and cheese and Entemann's raspberry danish and tea, and Searching for Bobby Fisher and dance movies, and always the moment when I reach for the blanket I love and look over, and know that you are still there. That no matter what, when I call or worry or doubt again, you hold all my questions next to me and laugh and somehow, the world brightens. I'd give you the plane ticket with that same laugh, the snow outside bright.You see, Confused by Advertising, our hearts know the gifts we must give better than we do - the gifts of the people we've been given to share this life with, these miraculous beautiful heartwrenching friends and family and mentors and inspirations who walk into our lives and transform us.Don't worry about the right iPod case. Don't worry about the better gadget or kitchen appliance or the newest Spiderman movie. Don't worry about homemade chocolate.Look at each of those people, the ones who hold you up when you fall apart, the ones who walk into your office and offer you a word of hope. Look at each of them, and with all of your heart, just say thank you.Because all of this is gift from another Giver. Because when we empty ourselves of the need to impress and dazzle, we find simply that we are thankful.So give thanks.Love,hilary

I made this for you (Advent 2)

This Sunday a six year old made me cry. It was a gut-wrenching week. It was a week where you climb the three flights of stairs to your office again, and again, each time telling yourself you just can't do it anymore. You just can't, can't, can't hold anything else in your heart. You can't hold yourself. You can't hold other people. You can't breathe for all the work and worry, for the whispers about "if you were really truly a good worker and really truly a good person and really truly a good friend you'd try harder..."It was one of those weeks where I think really hard about whether I have forever failed at this work of my life.And one of those weeks where I couldn't face God. Not even slightly. Not even really think about it.But Sundays arrive whether you want them to or not, and with Sunday comes the children. With Sunday comes their presence, their hands sticky with glue stick and stray blonde curls in a frenzy around their forehead. When I got up with my weary heart on Sunday I put on jeans and a blue silk shirt (because it's Advent, and I wanted to pretend I was trying). I put on the shoes that remind me of peacock feathers. I put my hair in a bun secured with a rubber band because I've lost my hair elastics and I can't be bothered to buy new ones.It was a day in a different classroom, this time with 6-9 year olds. It was time to hear God's word to his people. We talked about how prophecies are promises from God to us, his people. I smiled sadly as the children squirmed on their mats, sang half-heartedly the chorus about Christ being the Light. Because when you are trapped in the lie that none of what you do is really good, it's hard to believe God's promises apply to you. In the wrongheaded math of my universe, I couldn't believe that I, in my jeans and blue silk shirt and hair in a rubber band, am the person that God makes promises to. That I'm the person He was thinking of when He thundered His messenger to the world to ask Mary to bear Christ to us.I sat there, but when Ms Kirsten said we should go to our coloring work, I sat with Lily. We cut out construction paper to make an Advent wreath. She was shy at first, and we sat in silence, gluing and arranging the yellow paper flames over the candles. But when she asked if I could pull out a piece of stained glass coloring book paper for her to color, I caught a glimpse of a smile.It lit her face, and mine, too. She had on a red and gold dress, the kind I used to love to wear, the kind that twirls. And I remember how extravagantly loved we can feel in those clothes, as if we are sparkling from head to toe, as if we are the most beautiful and beloved creature to be shining in Sunday school in a dress that we waited to wear. So I told her how much I loved it. And she smiled wide, reaching for a pink marker."Lily! This is so beautiful! Would you like to take it home?" It's the end of class, and we are putting everything away, and she has finished her coloring. But Lily shakes her head, smiles up at me. "It's for you! I made this for you."She giggles, twirls her red and gold skirt, and is off to the next thing. But I sit, my heart thudding out its beat against all the odds, because this girl has made me a picture to hold up against the cold winter light and see myself in it. She has given me the promise again - the very one I can't believe God has in store for me.I made this for you. God wants to give us a gift at Christmas. A promise. A fulfillment, a transformation. He wants to overcome our sin and wretchedness with love. With a stained glass paper picture, colored in greens and pinks. With the relentlessness of His arrival.Do you know what I heard Him whisper, as I sat there, holding my gift, near tears at her generosity and love?I'm not waiting for you to get it right. I'm not waiting for you to become good the way you think you should be able to be. I'm not waiting for you to clean up all the mess and all the worry and all the lies running around in your heart. I'm not waiting, because I love you. Because my love doesn't rely on your perfection, but on your being. Because my love is bigger than your fears about it. Because God so loves this world, and because He loves too much to wait for us to be ready.Lily? Thank you. I'm hanging that picture in the window above my bed - so Mary, Joseph, you and me, we can watch God's love arriving.Love,hilary

stay, American baby

"I brought this for you." "Oh." The blue plastic jewel case, the flecks of car dust from where it sat in the glove compartment, the smudged playlist taped to the front of the case. "I thought - I mean, I owed you one." He smiled, sheepish. My hands felt the edges of the kitchen table, tracing the chips and cracks from years of family and screeching joy and frustration at each other. He held it out to me, pushing the hair out of his eyes.They were such brown eyes. I'll never forget that - like all the things he hid from the world he stored up in that one, tender look. And I promised myself in my journals that year that I was the one he was saving those looks for, I was the one who caught the secrets hiding in his dilating pupils. So I held the CD case, suddenly more thoughtful than I wanted to be. I wanted to be anxious, heart racing inside its cage. I wanted to feel all that in-love-with-his-brown-eyes-and-secret-sweetness feeling. I wanted to be back to the girl of weeks before, who had declared in the girl's bathroom while poking at her eyelid with a pencil that I liked him. And I was going to tell him.The light was pink outside the window; it had rained earlier. And I sat, calm and quiet, holding his blue plastic CD case. I was still as we laughed about Carrie Underwood, played a song on my new iPod, sat on the fraying couch in the living room, as we pulled on spring coats and walked to the pond."It's not a real pond. I mean, it's just the second bridge from our house." We scuffed at the broken winter pavement, chasing the bits of asphalt with our eyes as we walked. "Yeah, no, that's cool." More silence, more strange calm. I asked him something about college; he asked me something about debate. We answered past each other, eyes fixed ahead. Past the horse farm - "I've always wanted to ride," I said. "Oh, really?" he looked at me - the sudden, sweet tenderness. "Yes." Past the houses of best friends and lost friends, of dogs who barked at bikes and the neighbors who refuse to take down Christmas decorations until March. Past the first bridge, the reeds waving at us from their hibernation. Past the Girl Scout camp, the hidden bend in the road where the cops hid their cars at night to catch speeding teenagers and the haggard father racing home."So this is it." We sat down, feet dangling, a bit of sun offering itself to us on the water. We squinted at it. We looked for the beavers, or a fish biting. "So, Hils..." and still, that calm. "I know what you want to say." "You do?" I did?"It's okay." This became the mantra, the refrain - it's okay. It's all okay. The prayer, the angry shout, the promise - "it's okay," I said. I nodded a lot, he nodded some, too - just to keep moving, to keep from being still enough to hear the world shifting between us. We threw sticks into the pond, catching them on the last bit of ice.We walked back to the house, to the world before it had shifted, before we had said nothing and too much, before the admission that this was it, the point beyond tenderness.He shrugged into his coat, tucked his hands into his sleeves to keep the cold out. I rubbed my arms, hopping up and down in the driveway as I waited for him to say goodbye. But he just looked at me, with that sweet tenderness I'd never see again, and said - "You'll like the first track. On the CD, I mean. It's DMB." And then he got into his car, smiled, and backed out the driveway.I put the CD on in silence, sat on my bed, closed my eyes. "Stay, beautiful, baby." I sounded the words in my head as Dave began to sing. "Stay, American baby." I let the world shift. This was his real secret, hidden in those brown eyes - that despite all of the things we imagine, we remain fixed as ourselves in a turning world. That, despite our wildness, the wonder is not in getting what we thought.It is in the gifts that go beyond the moment: the Dave Matthews song we played in the car and learned to love, apart from him. The gift of memory turned story, softened by time into something like beauty. The gift of silence in the midst of noise. The gift of holding fast and setting free.The gift of a CD on a March afternoon, a walk to the pond.Stay, American baby.Isn't it all gift?